![]() ![]() In classical harmony, the chord is rarely seen spelled as a seventh chord and is instead most commonly found as the enharmonically equivalent French sixth chord. In diatonic harmony, the dominant seventh flat five chord does not naturally occur on any scale degree (as does, for example, the dominant seventh chord on the fifth scale degree of the major scale e.g. In this sense, there are only six "unique" dominant seventh flat five chords. It is also frequently encountered in tritone substitutions. ![]() Because of this property, it readily functions as a pivot chord. That is, it has the same notes as the dominant seventh flat five chord a tritone away (although they may be spelled differently), so for instance, F ♯ 7 ♭5 and C 7 ♭5 are enharmonically equivalent. This chord is enharmonically equivalent to its own second inversion. It can be represented by the integer notation. Audio playback is not supported in your browser. ![]()
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